This scene develops the theme that gender roles are unimportant when


A. Orlando readily confesses he is the unfortunate man who carved Rosalind's name on trees in the forest.

B. Rosalind tries to tell Orlando his love for the woman is madness, even though she is that woman.

C. Rosalind, disguised as a man, convinces Orlando to pretend she is the woman he is wooing.

D. Rosalind, disguised as a man, convinces Orlando to pretend she is the woman he is wooing.

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